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One night, a man named Sakaki gets into the taxi driven by Masayo. He asks to be taken to a desolate stretch of coast. Although Masayo wants to avoid getting mixed up in trouble, she reluctantly starts the car after Sakaki flashes a thick wad of cash. As the taxi drives through the city at night, the two reflect on their respective pasts; both harboring a sense of loneliness, they gradually come to understand one another.

Pink film by Genji Nakamura.

The Harada and Ito families are two couples living in separate houses. Harada Tetsuo and Ito Ryuta are boss and subordinate at work. Their wives, Nanase and Ayano, are both dissatisfied with their husbands' sex lives. So they come up with the idea of ​​swapping husbands...

"Fu" is one of two rolls Warhol shot for Couch that includes heterosexual sex, albeit with two men and a woman. Features the trio of Rufus Collins, Kate Heliczer, and Gerard Malanga. Unused in Couch.

Peter, a forgotten Chinese American scholar, discovers a pulp villain named Fu Manchu and recognizes himself. What begins as one small, sincere act of civic heroism spirals into humiliation, violence, and psychological rupture. Darkly comic, emotionally raw, and culturally loaded, FU is a portrait of a man so starved for dignity he mistakes a racist caricature for a myth worth becoming.

Pink film by Kazuo 'Gaira' Komizu.

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Young couple's honeymoon is interrupted by an emergency at the groom's workplace. How long will it take them before they can make conjugal nookie?